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Showing posts with label first drafts. Show all posts
Showing posts with label first drafts. Show all posts

Friday, April 4, 2014

Save Everything

Confession: I am a packrat.

Not bad enough that I need to see a specialist or anything, I promise. But I have problems throwing things away. I really do. I have written copies of stuff I wrote when I was 12 and typed copies of stuff when I wrote when I was 7. And don’t get me started on creative supplies. I have shoeboxes upon shoeboxes full of fabric and ribbon and string and beads and other random artsy stuff.

But the one thing that I packrat the most is files.

I save everything.

Don’t confuse that with I save all the time, no, I have had more than my share of not having saved and then your battery getting knocked out and losing everything. But I save almost everything I’ve ever written, even if I don’t like it. I’ve saved pretty much every piece of writing that Margaret’s shared with me.

I save scraps, ideas, projects that I want to work on, stuff I intend on never looking at again, first drafts, second drafts, diagrams that I’ve made of family trees and appearances, timelines… I save a lot of files. And I’m also slightly OCD about keeping them organized. I have lots of folders. As opposed to Margaret who just saves everything in one folder and Searches for a file when she wants it.

However, despite the fact that her computer is a mess file wise, our organization in terms of our novels and its various drafts are quite similar.

Moral of the story is save every draft you make.

One of the interesting things that you’ll find when you look at enough articles and books about editing/revising your novel, is that almost every one of them will say something about saving your drafts as you go along. The one that I have on hand is an excerpt from Gail Carson Lavine’s, author of one of my absolute favorite children’s books of all time Ella Enchanted among other children’s books, Writing Magic:

“I, too, save everything I write, so in the computer file for each of my books or short stories I keep a document titled “Extra” and I park my peerless but useless prose there. Extra is my treasure lode. I can mind it, and so can biographers!

Here’s a strategy I use in writing a first draft or in revising when I take my story down a path I’m not sure of and I don’t want to lose what I already have.

On my computer I save my story in its old version. Say I save it as “elves 1”. Then I save it again as “elves 2”. I go to the spot where my alteration begins and start writing. If all goes well, I won’t need the old version but if my new idea fizzles I haven’t lost anything. By the time I’ve finished writing and revising a book, I may be up to “elves 50”!”

I do something similar, though I just have everything to do with my book under the folder “Beguiled” and my successive drafts are Master, Master 2, Master 3. That’s the one I’m working on right now.

Every time I need to make a major change, and I’m going to continue working on the vein for a while, I create a new draft. That way I can organize my drafts by the major changes. Master was the first draft. Master 2 was just general edits (editing, not revising () Shame on me.) Master 3 I removed the entire first eight chapters of my novel because it was more or less all backstory. Once I feel comfortable enough with the beginning without those chapters and how the backstory is spread throughout the chapter I plan on making a Master 4 and giving my antagonist a serious revamp.

Separating drafts by tasks helps me to just keep things straight in my head. It also helps me focus on one task at a hand, which no matter how good you might be at multi-tasking, has been scientifically proven to be the best way to do work.

That doesn’t have to be the way you do it. Like just about everything on this blog, what’s important is figuring out what works for you. That works for me. But you really should save different drafts. It helps you to see how you’re progressing. Sometimes you’ll do something to change it and not like it and if you saved over the original or earlier drafts you can’t go back. Or sometimes you find ideas in your earlier drafts. That’s happened to me more than enough times.

Or if there’s something you liked that you had to get rid of later because it just didn’t work, if you have it saved you can use it for later.

And while we’re on the topic I would also tell you to not just save drafts, but get in the habit of saving everything. Those random scraps that you think of can be seriously useful one day. They can turn into a lot more than you think they might. And the great thing about computers is that it’s not that big of a deal to save them.


When it turns into a three inch thick pile of paper in the drawer of your bedside table and you’re supposed to be moving though…

Saturday, February 8, 2014

The Difference Between Editing and Revising

Okay so maybe this post was inspired by the assignment I'm supposed to have due on Monday and maybe I'm using this post as an excuse to not do that assignment... but... I'm posting something. That's good right?

Note to self: make a post on procrastination.

I'll do that next week.

*base drums and a cymbal*

Anyways.

This is a concept that a lot of people in my AP English class can't really seem to grasp. There is a difference between revising and editing. A lot of the time people, myself included, tend to use the two words interchangeably. I've told you all plenty of times that I'm editing my novel, but I'm really revising it (though there is a fair share of plain editing).

Editing usually entails going through and fixing spelling mistakes and grammar and awkward sentence structures. A lot of time when people think about first and second drafts and the like, that's the first thing they think of. That's pretty much all I did to my essays in 8th grade. And that's fine for an 8th grader turning in an essay for English class. That's not all right for someone submitting a novel.

Your first draft sucks.

My first draft sucks.

Margaret's first draft sucked.

It's safe to assume that every book you've ever read's first draft sucked.

Like a Dyson vacuum.

According to Google's automatic definitions, to revise means to "reconsider and alter (something) in the light of further evidence".

Second drafts are for changes. Real changes. You're supposed to reconsider and alter. Not just the spelling or the sentence structure. It calls for rewriting a lot of stuff. Getting rid of entire characters, adding entire characters, rewriting the first three chapters eight times, considering whether or not you're going to keep chapter 4, 7, and 13.

Just so far in my second draft, I cut out about 8 chapters of background information, added a minor character, changed the outcome of a pretty big scene, I'm trying to figure out how to seriously alter a couple of the other minor character's roles, expanding the first two chapters into more like four or five, changing the end... that's revising. And that's not even the end. Who knows what stuff I'm going to change for the third or fourth revisions? And then after that, who knows what my editors going to ask me to/suggest/help me work on changing?

Don't even get my started on the revisions Margaret's doing. She's more on like her 30th revision, but the prologue's changed who knows how many times, she's added a bad guy, her second main character's role has changed COMPLETELY, the situation surrounding her character's involvement in the plot has changed, the end has changed completely... It's ridiculously different.

Now, does this mean your other drafts have to be unrecognizable from you first, well, no. It still the same story, you should be able to tell that one is the product of the other, but should it be significantly better?

A resounding yes.

And you can always make more edits! Your book isn’t set in stone until it’s published (and even then there are editions where you can mess with stuff).

Whether you need to pay extremely, extremely close attention to editing is another post. Usually most people will say you should definitely make sure that it’s decent. No one wants to read a manuscript that’s riddled with errors. It automatically makes them less inclined to like what you’re writing. But it doesn’t have to be absolutely perfect.

Your first priority is revising though. Just about anyone with a solid grasp of the English language (and spell check) can produce a literary work that is edited and correct. Only writers worth their salt can produce a literary work with balanced pace and strong characters and gripping actions ect.


Moral of the story: Revise, don’t edit.

Fun example:

"'Never again', said the blackbird." First draft.

"Quoth the raven, 'Nevermore,'" Final draft.